)’ The closest we come to disclosure is the studiedly neutral double reference to ‘one’: ‘one, settling a pillow by her head’, and again, ‘one settling a pillow, or throwing off a shawl’.
)’ The closest we come to disclosure is the studiedly neutral double reference to ‘one’: ‘one, settling a pillow by her head’, and again, ‘one settling a pillow, or throwing off a shawl’.Tags: Themes Essays IdlenessEssay On The Genius And Writings Of Shakespeare In Three LettersHigh School Creative Writing ContestsHow To Solve A Problem In A RelationshipEssay Questions The AlchemistEssays On ArtConclusion Paragraph For Research Paper
‘Let us go’, Prufrock repeats, and again, ‘Let us go’; but the movements of the poetry have already established by the end of the first verse that we are occupying a consciousness that is destined to go nowhere very much.
Prufrock is talking to a ‘you’ inside his own mind, and she is a part of some back-story to the poem’s frustrated erotic life which is kept almost entirely under wraps.
The poem has moments of rich sexual response and, as though not knowing what to do with them, they no sooner arise than they are diverted into the sidelines of a bracket or an aside: ‘Arms that are braceleted and white and bare / (But in the lamplight, downed with light brown hair!
’ It would be wrong to say that these questions are ‘rhetorical’; they are genuinely expressions of perplexity: ‘So how should I presume?
’ The form of the verse co-operates in this universe of non-ending by avoiding the different sorts of progressiveness that would come from using stanzas, or blank verse, or heroic couplets.