Use your knowledge of the topic to craft an opening line that will satisfy that need.You don't want to fall into the trap of what writers call "chasers" that bore your readers (such as "The dictionary defines....").But when used as an opportunity to observe human nature, as this writer does, it turns from ordinary to fascinating. The descriptive language and the analogy to rats in a maze add to the intrigue, and readers are left wanting more.
Those first few words of the second paragraph—which a reader cannot help but skim—surprise us and thus draw us in.
How can the narrator be happy after all that sorrow?
It's a useful, time-efficient approach if you find yourself stuck in those first few words. You can always go back to the beginning or rearrange later, especially if you have an outline completed or general framework informally mapped out.
If you don't have an outline, even just starting to sketch one can help organize your thoughts and "prime the pump" as it were.
You can read all the advice you want about writing a compelling opening, but it's often easier to learn by example.
Let's see how some writers approached their essays and analyze why they work so well.Yet, it is the possibility of a turn of fortunes that compels us to keep going.This writer appealed to our emotions and a sense of shared experience to craft an effective read.This reversal compels us to find out what happened.Most people have had streaks where nothing seems to go right.The key is to add intrigue along with just enough information so your readers want to find out more.When you begin writing a new piece, think about what your readers want or need to know."As a lifelong crabber (that is, one who catches crabs, not a chronic complainer), I can tell you that anyone who has patience and a great love for the river is qualified to join the ranks of crabbers.However, if you want your first crabbing experience to be a successful one, you must come prepared." What did Mary do in her introduction?We feel sorry for the writer but are left wondering whether the article will be a classic sob story.It is in the second paragraph where we find out that it's quite the opposite.