The prospect of piling this demotion atop Saracen’s already considerable burden appalls the coach.“If I take him out in the middle of the season, it’ll kill him,” he says to Tami. His job, as he reminds Matt when delivering the bad news, is to win games.Directed by sometime actor Peter Berg through the framework of an earthy coming-of-age saga, the grunt 'n' buckle trade-offs of 'football' have never felt so profound.
The prospect of piling this demotion atop Saracen’s already considerable burden appalls the coach.“If I take him out in the middle of the season, it’ll kill him,” he says to Tami. His job, as he reminds Matt when delivering the bad news, is to win games.Directed by sometime actor Peter Berg through the framework of an earthy coming-of-age saga, the grunt 'n' buckle trade-offs of 'football' have never felt so profound.Tags: Essay About Management TimeAdvertising Dissertation TitlesRules Essay Writing CollegeBarack Obama EssayIntroduction To Real Analysis Bartle Homework SolutionsGed Essay Test
It also offers, via Coach Eric Taylor and his wife Tami—a counselor at the same high school—one of the most nuanced portrayals of marriage and family you’ll find anywhere.
Any parent will smile to see how Eric and Tami, who in their jobs routinely dispense thoughtful counsel to young people, so often lose their perspective when dealing with their own teenaged daughter, Julie.
There’s also Brian “Smash” Williams, a star running back being raised by a single mom and desperate to get a college football scholarship; when the congregation at his church scrapes together a collection to help him pay for an SAT prep course, he uses it instead on performance-enhancing drugs.
And among the female characters, a blonde bombshell named Tyra Collette struggles to avoid the fate of her older sister, a strip-club dancer, and her mother, perpetually dependent on men who treat her badly; but Tyra herself half relishes her own bad-girl reputation, and rejects a smart but nerdy boy who loves her in favor of a handsome rogue who comes to town with the rodeo.
As the team coach, Thornton is the honest-to-God kinda guy who, ironically, sees through the devotional haze; winning isn't everything, it only feels like it. The all-consuming obsession of Odessa, down to radio phone-ins and car park confrontations, carries the same religious patter as rabid soccer support does here. Berg is smart enough to find something suspicious in this and also the absurdity that Bissinger observed: the coin-toss to decide a tournamentÆs outcome, the real estate signs staked out on the coach's lawn after defeat, the inverse racism applied to influence referees ("zebras").
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Such detail allows the film to breathe, keeping it aloft from the go-go sport-as-American-metaphor cliches too often hung on the game. The action has the punching, rhythmic edits of genuine sports coverage, and in among the players' lives the handheld camerawork has the unblinking force of a documentary.
Meanwhile his son, not half the player, has to bear the brunt of his hopelessness.
"After football, it's just babies and memories," he glumly reports, father-to-son. Which is the whole point Berg and his cousin, original author H. ' Buzz' Bissinger, are making - in what sane world does a tender bunch of kids in the prime of their life have to carry an entire town's neuroses?
In the past, when I’ve written in this space about football (here and here, for instance), I’ve warned off those readers unlikely to be interested.
was really about other things: the temptations and corruptions of winning; the daily challenges of marriage; the wild ups and downs of raising children; the ever-present specter of human fallibility; and the redemptive power of love. The show grew from a 1990 nonfiction book by reporter Buzz Bissinger, who spent a year in the small Texas city of Odessa, researching the culture of high-school football.