Poe portrayed a guilt ridden man very well in this poem.
The poem describes a lonely man who is busy trying to forget his lost love by reading his old books when is interrupted by a tap on the door. The narrator is identified as a young scholar who is grieving for his lost love, Lenore.
During the conversation, the raven sits on a bust of Pallas.
In his story, Poe deals with the concept of the loneliness that humanity faces and how much horror he believes it brings to most people. On October 3, he was found semiconscious and delirious outside a tavern. "The Cask of Amontillado." The Complete Tales of Mystery and Imagination. Here we see the depth of Montresor's madness because he is willing to go to any lengths to commit murder. Ironically, Fortunato is asking if Montressor is a Freemason and not a mason by trade. a=o&d=94372516 Fiction "The Fall of The House of Usher" is a very interesting story. Terror was not fiction in Poe's world; it was real and it pushed the pen on the paper.
Because of the way he tells the story he sounds like…… he cause of his death four days later was listed as congestion of the brain, though…… In this story, we find this terror, especially at the end of the story when Fortunato sobers up. Even as Fortunato realizes what has happened to him and is begging for mercy, Montresor has already accomplished his task and we can almost see him dusting his hands. Furthermore, Montressor's assertion that he is a mason also hints at how he will carry out his revenge. It talks of a man who received a letter from his friend Roderick Usher asking him to visit. Poe took on what some artists might shy away from and that is death.
The knocking goes on and on, driving him into insanity.
The knocking jumbles his thoughts and makes him incoherent.
‘Nevermore’ is the raven’s response to its name when asked by the narrator.
At the beginning, narrator is shocked and confused to see a talking raven, but disgusted when it keeps on repeating the same name.
In this connection, the question that I want to research is whether this loneliness is really recognized in the story as being something causing horror and pain, or whether Poe cannot truly make the reader see his concern regarding this issue. In 1836, Poe married Virginia Clemm, his 13-year-old cousin and received his first editorial job at Richmond's the Messenger. The Tell-tale Heart." The Complete Tales of Mystery and Imagination. This statement is significant because it reveals Montresor's sense of revenge as well as another motive for his actions - his health. William Wilson." The Complete Tales of Mystery and Imagination. Symbolic foreshadowing can also be seen in the conversation about masons between Montressor and Fortunato. Poe "not only created art from the essence of his own personal suffering but also came to define himself through this suffering" (263). At the final turn, Montresor traps him in a crypt and seals him inside.
In other words, is what Poe claims realistic, or is it just something created to frighten the reader? Poe's later years were colored by economic hardship and ill health. The Masque of the Red Death." The Complete Tales of Mystery and Imagination. It would seem that Montresor blames Fortunato for his ill health - whatever that may be. This is evident when Fortunato assures Montresor that a cough will not kill him and Montresor answers, "True -- true" (93). The Black Cat." The Essential Tales and Poems of Edgar Allan Poe. The Cask of Amontillado." Tales of Mystery and Imagination. As Fortunato questions Montressor about being a mason, Montressor assures his victim that he is and pulls out a trowel "from beneath the folds of [his] roquelaire" (277). This is a sorrowful assessment but we can certainly see how Magstreale comes to this conclusion. The darkness can then serve to indicate the darkness of Montresor's action as well as the horror of Fortunato's final doom.