Essay Writing On Internet

Essay Writing On Internet-83
The time factor — considering that the average American spends 20% of his time online (which is about 30 hours a week, or 20% of the week) reading — points to an anxiety about having too much to read online and not enough time to read it all.We consume so much information online these days that it seems almost a little crazy of me to call for more platforms to generate more text on the internet.

The time factor — considering that the average American spends 20% of his time online (which is about 30 hours a week, or 20% of the week) reading — points to an anxiety about having too much to read online and not enough time to read it all.

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And with that comes the interesting assumption that rigor is built into length.

That connection is the result of the gruellingly slow shift toward digital publishing and the presumptions (not to say prejudices) concerning the quality of what is published online.

We pride ourselves on these feature stories, many of which fall into the new Internet category of "Longreads ," and think that we produce some of the best long-form technology narratives on the Web.

The word ‘longreads’ links to an article in the New York Times, published just six months earlier, entitled ‘Longreads: A Digital Renaissance for the Long-form? People have been using the words ‘longform’ and ‘longread’ before.

Why is print still traditionally more committed to long-form writing? For a sense of scale, Google tops the list: an average user spends on it a day.

And is it related to the way we perceive of economies of attention online? Alexa — the Amazon-owned service that publicly estimates website metrics — gives the average daily time on as three minutes and twenty-nine seconds. We spend half an hour a day on Facebook and five minutes and twenty-two seconds on (the first news/content site on Alexa’s top 500 list, ranked #57, way after all social networks and a number of local Google pages, including Google Russia and Google Spain).

In a way, the definition of the essay has expanded to include the abovementioned form— t he non-fiction/personal essay in the tradition of Montagne (‘some traits of my character and of my humors’) as well as the long-form article, in that oh-so-American magazine style of the New Yorker or The Atlantic.

And instinctively, many of the conversations about the current rise of the essay a lot of us tie this supposed revival of essayism to online publishing. It seems like a simple equation: with no need to regard length as a function of paper stock, the internet becomes a sphere of infinite possibility for writing.

They’re trying to get out of that niche and explore other profit-oriented content: by buying Matter (a site that invests in long, considered analysis and stories about science) and Epic — which was stared by the journalist who wrote an article for Wired that became the movie Argo, and supports longform journalism online, the business plan being to sell the movie rights for those articles.

Medium is a really extreme example of the proximity of startup culture and longform writing on the internet.

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