This leads to his waking Estragon and involving him in a frenetic hat-swapping scene.
The two then wait again for Godot, while distracting themselves by playfully imitating Pozzo and Lucky, firing insults at each other and then making up, and attempting some fitness routines—all of which fail miserably and end quickly.
Again, Estragon claims to have been beaten last night, despite no apparent injury.
Vladimir comments that the formerly bare tree now has leaves and tries to confirm his recollections of yesterday against Estragon's extremely vague, unreliable memory.
Eventually, Estragon dozes off and Vladimir rouses him but then stops him before he can share his dreams—another recurring activity between the two men.
Estragon wants to hear an old joke, which Vladimir cannot finish without going off to urinate, since every time he starts laughing, a kidney ailment flares up.
Lucky's dance, "the Net", is clumsy and shuffling; Lucky's "thinking" is a long-winded and disjointed monologue—it is the first and only time that Lucky speaks.
The monologue begins as a relatively coherent and academic lecture on theology but quickly dissolves into mindless verbosity, escalating in both volume and speed, that agonises the others until Vladimir finally pulls off Lucky's hat, stopping him in mid-sentence.
In a poll conducted by the British Royal National Theatre in 1990, it was voted the "most significant English language play of the 20th century".
The play opens on an outdoor scene of two bedraggled companions: the philosophical Vladimir and the weary Estragon who, at the moment, cannot remove his boots from his aching feet, finally muttering, "Nothing to be done." Vladimir takes up the thought loftily, while Estragon vaguely recalls having been beaten the night before.